Off on a New Adventure

It has officially been 2 years since I lasted posted on this blog. I almost forgot that I even had it! In the time since I was last here, I've produced 5 shows off and off off Broadway in New York City, attended the Tony Awards 2 more times, worked with some incredible people on many amazing projects, and I've learned and grown so much through it all.

Now I am about to embark on a new and very exciting journey. It has been 6 years since I last stepped foot on international soil. I never expected to be USA bound for such a long period of time, but life just happens that way sometimes. I will not allow that much time to pass again without an international excursion of some sort. After a year and a half fascination with South Korean culture and language, As of tomorrow afternoon I will be in Seoul!! Every atom in my body is screaming with excitement (though I think I'm holding it together pretty well for the public). My friend Hayan invited me to stay with her and her family, and by the good graces of planning and family support, its happening! There is so much I want to see, touch, taste, experience! The list in my head is crazy long, and I know two weeks there will barely put a dent in it (all the more reason to return!).

As I sit in the airport now, waiting to board, I am filled with anticipation and excitement. My head is spinning. Is this really happening? Am I really here? Did I really make this happen? If this is a dream, please don't let me wake.

To be continued

Not your average audience experience

I saw two musicals this weekend that blew my mind!

The first is MURDER BALLAD which was captivating. First of all the set was a very new experience for me. The audience was in the 3 quarter round with a stage for the band on the far left side of the space. In the center there is a bar with tables where the audience also sits (including myself). Prior to the start of the show, the bar is full service. On the left side of the space between the tables and the audience there was a pool table with a bloody baseball bat resting on it. The actors performed all around the space, even standing or sitting on chairs and tables where the audience in the center  is seated. Everything was happening all around me, and it was incredible. As many of you may or may not know, murder ballads are songs that usually end with one character murdering another. In this case, the story is a love triangle that ends badly. The show is entirely song, and the music is addictingly good. I am in love with it, and I've been listening to the cast album non stop. It is the first show I've ever seen Will Swenson (A.KA. Mr. Audra McDonald) perform in, and he is very talented, to say the least. I like the texture of his voice, and the way he moves (wink wink).

 Rebecca Naomi Jones was by far my favorite part about this show. She is the narrator that takes us on the dark journey of love gone wrong. Not only is she ultra sexy and intoxicating, but her voice renders one speechless. She really embodies her character, and finds humor and darkness in all the best places. I've seen her in the filmed stage production of Passing Strange, but she really stands out in Murder Ballad. I pretty much listen to the opening number and "The Crying Scene" on repeat because of her. The buildup to the end is perfect, and the ending itself surprised me! I love when a show can surprise me like that. It's a rare occurrence with anything these days. Films, tv shows, stage shows, and songs have mostly gone the predicable route. I love surprises! Good ones, of course.



So that was Friday, and on Saturday I saw NATASHA, PIERRE, AND THE GREAT COMET OF 1812. Another new obsession of mine. It was very similar to Murder Ballad in the sense that the action happens in and around the audience. The show is located at the Klub Kazino - a Russian seasonal pop up club currently located below the High Line in the Meatpacking District. They even have Russians working the club (most of which look like models and a few who don't speak much English). It is a full on dinning experience (if you pay the minimum of $125). I did the $39 rush that does not include the Russian meal. But I did receive a free Russian shot of some sort of alcohol upon entering the space. They also served these potato dumpling appetizers at the beginning and Russian cookies at intermission. Any way enough about food, lets get to the story! It is an electro-pop adaptation of the "2nd book" from Tolstoy's epic War and Peace. The show was entirely sung (just like Murder Ballad) and it involves a love triangle/square (just like Murder Ballad). There's lots of tears and disappointment in act 2 but there is no death! The lyrics don't rhyme, and a lot of the libretto is taken straight from a translation of the source. From the opening number, where they introduce and describe every character, I was hooked and engrossed- never wanting to leave this beautiful world they surrounded me in (with an incredible set featuring Russian paintings and furniture all around the space. Lucas Steele as the villainous Anatole, was dominated any moment when he sang, and his Anatole's passion for Natasha was as vibrant as it was wrong. I actually wanted him to get away with his abduction of Natasha! His sister Helene had an amazing villain song ("Oh how she blushes, how she blushes, my pretty. Charmante, Charmante Charming"). Natasha's voice is flawless, and so is the lighting. The chandeliers were incredible (and associates of mine helped design them!). I told them I want them to construct one for me when I settle down somewhere. I can't wait for a cast album of this incredible show becomes available.


Clearly, I could go on for days talking about these two shows, but I will spare you all. Both shows close in September, so I suggest you run, don't walk, to see these productions. I fully plan on going again!

Tony Afterglow

So, Sunday at the 67th Annual Tony Awards....AMAZING!

I couldn't have attended a more perfect first Tony Awards ceremony in my life.

First, that opening number was incredible! I think they had almost every Broadway show, old and new, from this season up on stage at one time! Only Wicked and Book of Mormon never made appearances.  Lin-Manuel Miranda co-wrote the opening number with Tom Kitt and did a phenomenal job! Because I was there in person, I got to see the whole thing happening on stage instead of relying on the camera angles CBS deemed worthy to see.

Second, 4 African American artists took home Tony awards! Patina Miller for Best Actress in a musical, Billy Porter for Best Actor in a Musical, Cecily Tyson for Best Actress in a play, and Courtney B. Vance for Best Featured Actor in a play. That's a big deal!

Third, a Jujamcyn show took home the Tony for Best Musical! KINKY BOOTS! We had much to celebrate last night! I'm so proud to be a part of such a wonderful company and a spectacular show! Now it is going to be pretty impossible to get tickets! So glad I've seen it a few times already!

Fourth, this:

Finally, The epic closing number with NPH and Audra McD! I was actually sitting in about the 6th row when this happened! My mind was blown...

As a seat filler, I had to be at Radio City Musical Hall at 4 PM. My friend Valentina and I waited in a long line of glamed up seat fillers for a good while as they checked everyone in. We took photos inside in front of the Tonys signs. When everyone was checked in, we had the introductory meeting where they explained what we were going to be doing and how it would be working. Questions were asked and answered.
A bathroom break was given. Radio City Musical Hall's women's bathroom is the most glamours wash room I've ever seen. They have a huge room with several mirrors that each have their own table and cushion chair! But the bathroom isn't the most exciting part, obviously. The best part was seeing everything live and moving about in the orchestra to different seats, seeing all of the stars, producers, directors, writers and designers that make it happen (plus a plethora of extremely wealthy upper east and west siders who shelled out the big Ks to sit in the orchestra). Cecily Tyson, Shalita Grant, Sigourney Weaver, Tom Sturridge, Jerry Mitchell, Laurie Metcalf, John Gore, Nathan Lane, Bertie Carvel, Courtney B. Vance, Angel Bassett, the cast of Pippin -  just to name a few people I was in close proximity to. I witnessed an usher accidentally stepping on Cecily Tyson's dress while walking past me. She gave him a look that could kill! It was priceless!

Valentina and I attended a lovely after party or two and garnered curious attention from the every-day-dressed tourists and general public while roaming Times Square. I could certainly get used to the chic appeal. Galas and balls, where do I sign up?

There was a bit of post Tony drama this week. The Daily Mail accused NPH of dropping the N word during the opening number. I can say from actually being there that the accusations is unfounded. But just to validate NPH's defense Playbill posted the lyrics for the Opening HERE. All I can say is they were really fishing for drama with that one. Guess they couldn't think anything better (or credible) to report. Other Tony lyrics can be found HERE.

I think my year has peaked. What more could top that? Other than being nominated for something at the Tonys, of course. I guess we'll just have to wait and see. Who knows, maybe a Broadway show is on my horizons this year. Fingers crossed!

My Top 10 Off Broadway Shows this Season Part 2

Alright, you've seen 10-6 of my off Broadway favorites, now it's time for the final countdown...

5.  Detroit '67

I was lucky enough to be invited to an invited dress rehearsal of this compelling Dominique Morisseau play. I missed the original run at The Public Theater, but it was moved up to a theater in Harlem. Set during the riots in Detroit, spoiler alert, 1967. Chelle and Lank are adult siblings who have recently inherited their childhood home and have converted their basement into club for the locals in their all black neighborhood. They're also waiting for inheritance money to come in. Chelle wants to save it and use a portion to continue putting her son through college. Lank wants to take the whole amount to buy a bar with his best friend Sly, played by the brilliant Brandon J. Dirden. (pretty similar to The Piano Lesson huh?) Chelle and Lank are at odds most of the show, even about the new 8-track player Lank brings in for their club. Chelle doesn't think anything could sound as smooth as their (broken) record player. Sly is busy trying to smooth-talk his way into Chelle's heart. Meanwhile, Lank and Sly have brought home this beaten up, unconscious white woman who begged for their help before passing out. Lank convinces Chelle to reluctantly let her stay for a while, but truths, socially unacceptable feelings and racial tension build to an unfortunate climax. Needless to say, I was crying by curtain call. Filled with the greats of the Motown era and issues that I really connected with, I loved this play! It was beyond brilliant. Click Here for a behind the scenes look at the cast!

4.  The Other Josh Cohen

This show surprised me! It was one of the first official off Broadway shows I ever saw, at Soho Playhouse. I didn't know what to expect or think. I didn't know it was a musical either, so that was a bonus. Written by and starring David Rossmer (Peter and the Starcatcher) and Steve Rosen, The Other Josh Cohen is about the very unlucky Josh Cohen, narrated by present day Josh Cohen (Rossmer) and reenacted by younger, bummier Josh Cohen (Rosen). A small band of actors play many different roles and instruments throughout the show, with the two Josh's leading with the guitar and vocals. Poor Josh has just been robbed of everything in his apartment except the Neil Diamond 3 CD just before Valentine's day. Josh is broke, single, and SOL until a letter arrives with a check for some serious cash, only he doesn't recognize the sender. Due to Jewish guilt, instead of using the money to solve all his problems he endeavors to find out who the check is really meant for. Nice guys definitely finish last! He goes on a hilarious search to find the truth before he can feel in the clear. The music was hilarious, the characters were hilarious, it was pretty much the funniest thing I'd seen in quite some time. I searched for bootlegs of the songs all over the internet because I loved them so much! Click Here to see this funny video promoting the show!


3.  The Last 5 Years
See last week's blog for the summary/criticism on the show. Just know that I've been listening to "The Schmuel Song" almost every day since I saw it. I love the music, and I am so glad that I managed to catch it before it closed. Here are highlights from the show!


2.  Cock

This four person play by Mike Bartlett set in the round at The Duke on 42nd Street is about John (played by the extremely talented Corey Michael Smith), an English, very confused, young, gay man who decides to leave his slightly older boyfriend to be with a woman. He goes back and forth between the two and ends up at an awkward, confrontational dinner gathering with his two lovers and his boyfriend's father where he is forced to choose who to be with. The space is entirely bare, and the actors even use the audience seating space at times. The play is divided into scenes set apart by the ding of a tone indicating a jump in time. John is the only character who's name is ever given. There is this incredible scene where John and his girlfriend make love for the first time with out ever really touching. The actors circle around each other getting closer and closer as they make the sounds, faces, and speak the dialogue of what is really going on. It was brilliant. It was more intimate and awkward (for the characters' first time) than if we had watched the actors physically fumble through a simulated love scene. The dialogue kept me hanging on to every word each character uttered. I laughed, I got frustrated, and I really empathized with the characters. John's indecisiveness about what he wants and his sexuality take the rest of the characters for a turn. The ending is rather ambiguous, although unhappy for one if not both of the lovers depending on your interpretation, and I think it's better that way. I was so glad I got to see it, so much so that I went to see it again! You know it's good when you're willing to see it multiple times! I went with a few friends the second time around. After the show, when Jason Butler Harner (who played the boyfriend) came out to the lobby, he said to us, "I love it when the black girls come because they're not afraid to laugh." Well, I can certainly say I laughed and gasped at certain moments, but I never said anything like, "Oh no he didn't!" Ha! Glad to know our presence is appreciated and welcomed! Click Here to see a video interview with the actors and the playwright.

I saved the best for last! The number 1 is a tie because both shows are too close to my heart for me to choose a favorite.

1 (a).  The Wild Bride

This is my latest obsession. I am in love with it. From the Cornwall based theater company, Kneehigh, comes this beautiful re-imagining of the dark fairy tale The Girl Without Hands. Narrated by the devil himself (played by Andrew Durrand), a young girl and her poor father live happily together (apart from the whole being poor bit). The devil visits the father and makes a deal with him promising him riches, new clothes, and more if the devil can have whatever is in his backyard. Foolishly, the father thinks there is nothing but an old apple tree there and accepts the deal. To his great misfortune, his daughter is playing in the backyard. So when the devil comes to claim what's rightfully his, the father resists, but you can't deny the devil. Unfortunately, The Wild Bride (portrayed by 3 different women during the 3 different stages of her life) is too pure for the devil. He dirties her up, but she weeps on her hands. So, the father is forced to chop off her hands (ouch!). Still, The Wild Bride is too clean, so the devil decides to wait till she's lived a little and been ruined by the world. The Wild Bride won't stay with her father and wanders into the wild, handless, and struggles to survive. When she is older, she encounters a prince who falls madly in love with her on sight and takes her for his future queen. He even gives her dust bowl inspired metal tools as hands (very Edward Scissorhands). The devil decides to intervene, and the Prince-now King must go off to war. Meanwhile, the Wild Bride gives birth to a child, and the devil interferes with the messages sent back and forth between the King's mother and the king in battle. The Wild Bride ends up back in the wild with a newborn, right where the devil wants her. The Wild Bride's soul remains pure, and she resists the devil's temptation for relief. Ultimately, the ending is a happy one, with good prevailing over evil. The music is folksy/bluesy and very addicting. The production itself was a visual feast for the eyes. The women playing The Wild Bride sang, played instruments, and danced in lieu of speaking (until the very end). The devil spoke in rhymes and Durrand made an enticing ruler of the underworld with a voice and physicality that I could listen to and watch forever. Click Here to watch the promo video!

1 (b). The Old Man and the Old Moon


PigPen Theater Co. is a group of 7 actors from Carnegie Mellon who have been creating shows together since they met in college. They all sing and play instruments and play many parts. This folksy, original fairy tale is told through the use of puppetry, music, and the boys playing innumerable characters. They created this incredible world bursting with endearing characters. The Old Man and his wife have been living together in the same house for so long that they don't even remember their names. There's a leak in the moon and the old man is responsible for collecting the leaky fluid in his bucket and refilling it when it's drained (hence the lunar cycle). His wife is tired of their banal lives (serving fish for dinner everyday). She wants to see the world, but the Old Man doesn't want to abandon the moon. She hears a tune on the wind that sounds familiar and calls her to the sea. One day she goes off without him in their small boat. The Old Man doesn't want to be without her, so he decides to abandon the moon and goes on a grand adventure trying to get her back. He encounters a team of sailors and steals a war hero's identity to get on their ship (a war has broken out and the men are on their way to battle). Along the way he makes some dear friends and even gets swallowed by a rogue prison fish. Inside the fish, the old man encounters the ghosts of run away soldiers that were never brought back to shore. All the while the moon is draining and the world is thrown into an influx as a result. The Old Man must escape the fish and find his wife before he can return home and set the world right. On his journey he rediscovers who he and his wife are and where they come from. It is an incredible journey to go on. Throughout the tale, the boys sing and play music that reaches the soul. They are brilliant and extremely creative. Life changed. I saw them in concert recently at the Mercury Theater. They are headed to Chicago this fall to bring The Old Man and the Old Moon to a wider audience. Definitely don't miss it! Click Here to see the promo video!  Also Watch This music video to see a music video from the show!

My Top 10 Off Broadway Shows this Season Part 1

Since Augsut 2012, I have seen a plethora of shows. Many of which were off-and off-off Broadway. I actually have a drawer in my room that is overflowing with so many playbills, I don't think I have the time to count them all. Recently, I've been reflecting back on the shows that stuck out the most to me on the off-/off-off world. Here are some of my favorites:

10. Emotional Creature

This Eve Ensler piece  was playing at The Signature Theater last fall when I was lucky enough to see it. In a style very similar to Ms. Ensler's internationally acclaimed The Vagina Monologues, Emotional Creautre focuses on the trials and tribulations of being a teenage girl in the modern world using monologues and songs performed by 6 very talented young women. The show opened with one of the girls taking photos of herself with her smartphone (each photo was instantly projected on the large screen that functioned as the backdrop) as we witnessed her overly critical opinion of herself in each photo. She is joined by a group of her friends and they slip in and out of monologues of different characters as they interact with one another. They deal with boys, pressure and alienation from friends, pregnancy, suicide, coming out, weight, female circumcision in Africa, being misunderstood by parents, abuse, and there's even a monologue about a Chinese girl working at the factory where Barbie heads are made. One monologue was recycled from The Vagina Monologues about the young girl in Africa who was kidnapped and used up by a war lord. I cried, I laughed, and I totally believed every bit of it (especially "My Short Skirt"). The show was full of energy and life, and the set was very fun. I loved the mixed media element of the show with the screen in the back and the songs that were performed (even though it is not a musical). There was just one monologue I didn't quite get involving an angry teenager taking pill in front of her parents that basically caused her to explode in a bloody mess in the living room. I think this is a great show for teenagers to see. It brings awareness to a lot of issues that young girls go through, and it inspires them to be happy with who they are. I loved it! I just wish that the songs were recorded/actually a part of Eve Ensler's published script. Click Here to see the promo for the show.

9.  Giant


I was lucky enough to catch the final show at The Public Theater despite being sick as a dog on a rainy day. Based on the 1952 Edna Farber novel, Giant is an epic, sweeping musical with a book by Sybille Pearson and music and lyrics by Michael John LaChiusa. This musical takes place in Texas on an immense cattle farm. Jordan "Bick" Benedict runs the show with the help of the older sister who raised him. He brings home a wife from the union who has spent most of her life reading books and attending functions with her important father, against the wishes of his sister who planned on him marrying the daughter of another major cattle farmer (hey, that's love for ya). Conflict ensues. The forward thinking wife, Leslie, wants to improve the living conditions of the Mexicans living and working on their land, much to Bick's reluctance. The kids go on unexpected, and to Bick, undesirable paths (Jordy Jr. falls in love with and marries a Mexican girl right in the midst of racial tension). Bick and Leslie also face the rise of oil companies making deals with all of the farms around theirs.  The villainous Jett Rink (played by James Dean in the film) tries to woe Leslie from under Bick seeks revenge for the past. The music was great, the cast was great - especially Brian D'Arcy James and Kate Baldwin- and the set was wonderful. My favorites were Miguel Cervantes, who should have had more than one song before his character kicked the bucket, and Mary Bacon who played the jilted would-be wife of Bick. Her songs were amazing. The show felt like Gone With the Wind with a huge cast and an "immense landscape" as the backdrop. There were a few plot holes that could use some work, but that might be the fault of the source material. I wasn't quite sure who the main character was - Leslie or Bick or maybe it was Texas! Despite that, I really enjoyed the show! There was some speculation on whether or not it would come to Broadway, but I think they'd need to shave some time off of that 3 hour show to make it plausible. Click Here to see clips of the show!


8.  The Piano Lesson


How can you ever go wrong with August Wilson! Signature Theater's production of The Piano Lesson was very moving and emotional. Many times throughout the show I wanted to get up and kick one of the characters for being so horrible! Guess that actor did a good job! The play is essentialy about a black family in Pittsburgh during The Great Depression fighting over a piano. The piano is an important family heirloom with an ornate carving on it. Boy Willie and his friend Lymon show up with a truck full of watermelons to sell and the intention of selling the piano to buy land in the south. Berniece, the mature sister and woman of the house, is both reverent and terrified of the piano and refuses to let it go. The piano dates back to when their grand parents were slaves, and their is a lot of "blood" on the piano. Brandon J. Dirden as Boy Willie was remarkable. The set included the two floors of the house where Berniece, her daughter, and her uncle live. There was a surprising supernatural element to the show that played a significant role in act two. I was weeping by the show's end, but I was very satisfied with the resolution. Click Here to see pictures and videos about the show!

7.  Meis Julie

My first time at St. Anne's Warehouse was also my first time in Brooklyn, and it was quite memorable. This South African adaptation of the August Strindberg play Miss Julie was eye opening to me. I remember reading Miss Julie in college and hating it! I mean with an ending like that? I'm all for tragic endings, love them, but this one was just....Anyway Meis Julie was a whole different experience for me, and I loved every bit of it. It is Freedom Day in  Eastern Cape on a grande estate. The setting is the kitchen of a farm laborer and his mother. Julie, the white farm owner's daughter comes to provoke her father's favorite farmhand, John. The have a very aggressive, sexual and sometimes violent exchange that culminates in a passionate sexual encounter and ends with one of them dead. John's mother filters in and out warning John to stick to his place and his religion (also to complain about the big tree growing in their kitchen floor), but John has bigger goals. Everything is out on the table in this show, literally. There is eating on the table, sex on the table, and blood on the table. Basically that table sees a lot of action, and so does the audience. It was like watching an independent, international film live. Nothing is held back. "So this is Brooklyn," I thought at the end of the play. It was beautiful, terrifying, and very real. And it was art. Click Here to see more!

6.  If There is I Haven't Found It Yet

Roundabout Theatre Company gave Jake Gyllenhaal his off Broadway debut at the Laura Pels Theatre this past fall in If There is I Haven't Found it Yet by Nick Payne. The play is set in England. 15 year-old Anna (Annie Funke) is being brutally bullied in school for being overweight. Her parents are blind to the real problems. The mother (played by Enid Graham) is a teacher at Anna's school, and the father (played by Brian F. Bryne) spends most of his time working on his book about the carbon foot print. In comes the estranged, drifter uncle played by Gyllenhaal to shake things up. He proves to be just what Anna needs, in spite of his impulsive, immature nature. That is until Anna's familial feelings evolve into something less appropriate, inspiring the wayward uncle to peace out just when Anna was starting to improve. Ugly truths come out, a suicide attempt in a bathtub occurs, but ultimately the parents wake up and try to fix things before it's too late. The set was a hodgepodge of house furniture and appliances which were thrown into a watery "moat" at the front of the stage after use. By the climax, the entire stage was engulfed in water and the majority of the furniture was in the moat (including the fridge). The actors were outstanding, and the show was very moving. There was a lot of humor to be found in what was expected to be a very tragic piece. Jake Gyllenhaal affected a nearly unintelligible lower class English accent (how did he and his brother end up sounding so different in dialect if they were brought up together?), but it sounded pretty authentic to me. Annie Funke had to be taken to the hospital via ambulance right after the show due to something having to do with her heart. In any case, she was COMMITTED to that role. Excellent show. Click Here for photos and videos!

Guess Who's going to the Tony Awards?

That's right! The good news was received yesterday evening. I am going to be a seat filler for the 2013 Tony Awards! This means I have to go shopping for a fancy dress and new shoes! I am extremely excited (if you couldn't tell)! I haven't even been in NYC a year and I'm already going to a major award ceremony! Not half bad. Glad I saw the majority of this season's shows (approximately 26 at this point, but I still have time to see a few more!). For those of you who don't know what a seat filler is, that is someone who sits in the seats of the celebs when they go up to make speeches/read the nominees so that the theater doesn't look empty when they do audience shots for the telecast. When I found out, I cheered out with joy at this random woman on Spring Street and 6th Ave. She probably thought I was crazy. I wish Hugh Jackman was hosting this year instead of NPH. Don't get me wrong, I enjoy Neil Patrick Harris as much as the average human being, but I've already seen him at EPCOT for the candlelight processional. Plus I'm just a major Hugh Jackman fan so... It'll still be awesome though! The pinnacle of my year so far.

Last week I finally saw the BOOK OF MORMON which is worth all the hype and then some. Definitely the funniest show I have ever seen in my entire life. Plus I love most of the songs, and they are still stuck in my head (good sign).Matt Doyle is INCREDIBLE as Elder Price. I love his voice and wish it was on the soundtrack. The original is great too, but I prefer Matt of course. I used to see him occasionally in passing/hear him singing last fall at an undisclosed location (I stand by my vows of silence and secrecy). BOM is also the most offensive show I have ever seen. I can't even begin to imagine how a devout Mormon would react. And some of the ushers told me that people have brought kids to see the show! This is anything but a kid friendly show. They use every vulgar word under the sun and then some. There is a repeated lyric "I have maggots in my scrotum!" I doubt kids are learning about that on Nickelodeon. I mean this came from the writers of South Park.I pretty much died laughing at the Ugandan performance of the creation of Mormonism. So good! If you haven't seen it yet, see it. It's jaw-droppingly good. Your abs will get a work out from laughing so hard.

Following my spectacular night at the theater, I volunteered at the Drama League Awards held at the New York Marriott Marquis on Friday afternoon. I worked at the check in table (Letters L-P). I saw a large armada of Broadway, film, and television VIPs, and even had to tell Sigourney Weaver where to go (she is awesome). It was very exciting to see Joel Grey, Jerry Mitchell, and Bernadette Peters give epic speeches. Jerry Mitchell is hilarious and the stories he shared were amazing. Each Broadway performer nominee, and there were about 40 or so that showed up of the 50 nominees, gave a mini speech which caused the event to extend over an hour. The most memorable for me were Billy Porter, Stark Sands, Cecily Tyson, Tom Hanks (revenge on the audience- he took a photo on his cellphone of the audience. The Best!), Tracy Letts, Patina Miller, Valisia LeKae, and Paul Rudd. To my total surprise, Nathan Lane was the big winner of the day. I haven't seen THE NANCE, but I am told that a lot of the voters for the award are older so I guess it goes with the territory. I wonder what it was like for Lilla Crawford of ANNIE to be the kid on the dais with all those major actors and actresses. Was she even aware of how big a deal it was to be considered on par with the likes of Tom Hanks and Vanessa Williams?

This weekend I had to say goodbye to my dear, treasured Kiwi. My friend Katie is heading back to New Zealand this week after living a year in the states. She's the one who got me the opportunity to volunteer for the Drama League Awards. She also got me addicted to Marie's Crisis (a musical theater piano bar in the West Village) and The Almighty Johnson's (New Zealand dramedy about Norse Gods living in NZ). A group of us went to Lucy's Cantina near Herald's Square where she got the biggest margarita goblet I have ever seen with a bottle of Corona tipped in like a test tube shot. On Sunday, the two of us went to this fancy schmancy place on the UWS called Sugar and Plumm. It's tres expensive (if you get anything with classy meat in it) and full of families who don't know how to maintain their sugar charged children.  Katie looked like she was going to snap on the huge party next to us. It was pretty funny. The food was good, but Sugar and Plumm is known for it's desserts. We each got a macaroon and a scoop of ice cream (sorbet for me). My macaroon was purple with silver shimmer dust on it - Violet Cassis. We had a lovely meal in spite of the untrained children running around and the dreary rain. Now I have a place to stay and a person to visit in New Zealand! Apart from Peter Jackson of course! Ha!


Things Happening this week!

• Tigers Be Still at the Drilling Company May 22-25 Wed-Sat @ 8 Sun @ 3 (I'm the House Manager! Come see the show!)
• Memorial Day Weekend!! 4 days free! 

Getting Back on the Horse...Or Trying To

So it's been nearly a year since I've written or even looked at this blog. I'm sure so many readers in the world have been feeling total abandonment and loathing since August (you can't see it now, but I have a sarcastic smirk on my face). All I can say is this, I moved to New York City, and faster than I ever expected (to my great please, I must add), I was swept up into the world of The Great White Way! I started working on Broadway and that was it! Goodbye free time (who needs ya!), goodbye sleep, and  goodbye faithful readers, or maybe reader (Thanks Dad!) By the grace of the gods (all hale Zeus and Odin-just kidding!), I am still here working my way to the top. I've met a host of brilliant people and had some unbeatable experiences all within less than a year of my arrival. I can only hope for more to come! I would have loved to have done a frequent update via the blog, but everyone tells me sleep is a necessity that I shouldn't skip out on. Anyway, enough with the excuses! I'm making time!

Now since August, I have seen dozens of shows on and off Broadway. I have even worked on a few. I've met quite a few celebs and many important people in the industry, gone to openings and opening parties, worked at gala events etc. Perhaps one day when I feel the motivation, I will give more of a detailed blow by blow. I can tell you now that I have seen 27 different Broadway shows in the last 11 months, some multiple times (i.e. JEKYLL & HYDE 4 times, PETER AND THE STARCATCHER, THE MYSTERY OF EDWIN DROOD and KINKY BOOTS 3 times, as well others twice each). But for now, I'm going to start with yesterday.

Last night I did student rush for THE LAST FIVE YEARS at Second Stage and was lucky enough to make the cut! Beautiful show, beautiful performances, amazing set. I have to say though, I wish someone would warn me beforehand when I am going see a show that consists entirely of singing sans dialogue. It isn't always my cup of tea. Sometimes you just need a break you know? And the actors do, too, I think. I mean if I wanted the opera style, I'd go to the opera, right? But thankfully this performance is only 90 minutes long, so the consistent stream of song was bearable, plus the actors were wonderful! I am constantly in awe of Betsy Wolfe's performances. I saw her in EDWIN DROOD twice last winter at 54 Below and was blown away by her voice. She's also pretty hilarious when she wants to be, effortlessly of course. Adam Kantor was just perfect in this role. That's all there is to say, perfect....The minute he started singing I thought, "He has the perfect voice for Mark in RENT," and guess what? He was Mark in the closing cast on Broadway. Perhaps casting is my calling. Back to L5Y, both actors really embodied their characters, and I believed them the entire time. I didn't cry like everyone else claimed to do, I guess because A) You know from the beginning that the couple is going to break up, and B) People under the age of 45 these days have a hard time sticking to "til death do us part" through thick and thin anyways, so I wasn't surprised or heartbroken. I was just like, "huh, that was real." No tears here! The beautiful voices and music  nearly elicited tears from my eyes, but that's it.  Anyway, I really enjoyed it. It's closing this weekend, so if you're in the city catch it before it's gone!

Check out this awesome video of Adam Kantor singing a number from the show for the NY Times Click Here!


Things Happening this week!

• Tigers Be Still at the Drilling Company May 17-25 Wed-Sat @ 8 Sun @ 3 (I'm the House Manager! Come see the show!)
• The Drama League Awards May 17 @  The Marriott Marquis (I'll be working registration, so come say "hey" if you're there!)
• My lil sis is graduating from high school this weekend! Woohoo!

Plays, Movies, NYC, Where Does The Time Go?

I do apologize for the grand absence, dear readers. My life has been a whirlwind since I last left you. I volunteered for the Fringe Festival and saw more shows than I could count...for free!! All I had to do was work the box office for a show and I'd get a free voucher to get a ticket to any other show, and sometimes the venue director would let me see the show after my volunteer shift. The Fringe Festival, for those who are unfamiliar, is a theatre festival that began in Edinburgh, Scotland. It's the largest arts festival in the world! Anyway, like with most things, the Americans borrowed the idea, and now there are Fringe Festivals in major cities all over. Like Orlando, New Orleans, New York, etc

Anyway, I saw 9 shows out of the 187 they were putting on, and I didn't pay for any of them. The first was a real tanker, leading me to have extremely low expectations, but I was presently surprised by the other 8. My favorite is the musical Quest for the West: An Adventure on the Oregon Trail. 

The shows I saw in order:

Bumbershoot - hot mess, didn't follow decent plot structure, weird unsympathetic characters, ridiculous, too long, full of pointless scenes, incest, murder, homophobia, cross dresser, online stripper/ terrible mother, hot mess 

Dark Hollow: an Appalachian Woyzeck - beautiful and tragic, fantastic music, haunting

After the Circuit - funny, sad, quality story, endearing characters, great acting

Canon in D Minor -very moving, creative, sad, wonderful violin music, unique/abstract style (3 actors trade up playing the same characters

Hope is the Saddest -funny, bizarre, poetic, movement, Australian, Dolly Parton, sad

Animals - different, violent, funny/sad, extremely masculine male characters, rape 

Vacuum - Thought provoking, cure for cancer vs economics, controversial, smart, beautiful characterization, beautiful writing, sad but three-dimensional characters, legit theatre, all equity actors

Would - beautiful, tragic, moving, thought provoking, sad, may illicit tears, creative

Quest for the West: An Adventure on the Oregon Trail - AWESOME!!!! Audience participation, the live action version of the computer game, hilarious, would see it again if I could, totally different, AWESOME!!!!!

I gave extremely brief descriptions of each and attached the link for each show instead of going in depth for all 8 because I have so little time and so much to say. I gave a little more attention to the show I loved the most and the show I liked the least. 

I started a new internship at Davenport Theatrical Enterprises this month, so that has taken up a lot of my time. That, coupled with the Fringe Festival, has made it nearly impossible for me to find the time to write this blog. I'm learning a lot at the new job, and my volunteer work has allowed me to learn about different theaters, meet new people, see great and rare theater, and explore different areas of the city. 

I have grown pretty familiar with the Village, Soho, and Noho now. Those are my weekly stomping grounds. I can tell you where Pinkberry is and where you can get pizza for $1. I gone to see a french film at the IFC Center or the Angelika Film Center at least once a week for the past month, and I love Washington Square Park. 

So basically, I've been too busy checking out the city to blog. But I'm back, baby! The exploration period is far from over, but I don't want too much to happen in between posts otherwise I'll have to write a novel! (And who would read that?)

Last week my good friend Marc came into town to visit me for 2 days, and he surprised me by bring my bff  Dan from Disney World with him. It was the best surprise I've had in ages. We met up at a METS game after my first day of work (sans trainer) and there was my German Brother From Another Mother sitting in the stands. The 3 of us had a grand ol' time, the brief moments that we had when I wasn't working. We saw EVITA on Broadway with Ricky Martin. Marc LOVES the show, but Dan and I were new to it. Ricky Martin isn't the most spectacular B'way singer/performer, but the show was great! The music had to grow on me at first, but 2 days later I was looking up the soundtrack and singing it on my way to work. We had a little dindin at Sardis (ohlala c'est chic) and wandered around the Times Square area till it was time to bid our reluctant farewell. 

I'm making new friends at work, slowly but surely, and meeting people in the city through Fringe and other things. Last week I got to see a show that DTE is general managing called Cock. It only has 4 actors, it's off- B'way, at The Duke on 42nd Street, and it's hilarious! Well acted and really engaging. I may have to buy the script, the writing was quite brilliant. It closes October 6th, so see it soon if you can! 

Life is going to be busy, busy from here on out, but I'll keep you posted! 

What did everyone think of the Olympics? Team Lochte or Team Phelps?

"The King is Giving a Festival!"

The past 5 days have been filled with quite glorious experiences to behold! As a passionate theatre college graduate, I can say without a doubt that Into the Woods by Stephen Sondheim and James Lapine is one of my favorite musicals of all time. Up until last week, I had never seen the musical performed live, but I had seen the original Broadway production on Netfilx. Actually, I saw the first act when I took the VHS from the library my junior year of high school because it was to be the musical production for that year. I wanted to be prepared for the audition, but it was so long I didn't finish Act II prior to auditions. Since I had published a somewhat necessary if not blacklist-inducing article about type-casting in school theatre productions the year before. The director was less than pleased, especially since I used his direct quotes which he later tried to refute despite my tape recording of our interview, and thus resulted in the end of my high school acting career. Pretty much, all my preparation was in vain. How was I supposed to know we were actually going to keep the same theatre director for longer than a year for a change. He sure did hold a grudge. So in trivial protest, I refused to attend the show - actually I'm pretty sure I had something going on the weekend of the production.

The point of that digression is that I was exposed, however minutely, to the brilliance of Into The Woods long before I truly knew the stage experience. I finally did watch the entire production on film years later, but I already knew all the songs. To be honest, I think waiting was perfect, because my experience last Friday was unbelievable. So, The Public Theatre does this thing every summer called Shakespeare in the Park where they put on free productions of beloved shows at the Delacorte Theatre in Central Park. The thing is, when the word "free" is tacked on to a show, you best believe (especially in NYC) there will be thousands of people crawling over each other to get at it. So basically, one would have to arrive at Central Park around 4AM or so just to get in line for a chance to get free tickets that aren't distributed till 1PM. I love theatre, but that is asking a lot. Luckily, they also give away tickets in the different boroughs on certain days- which brings me to Friday. It was "Queens Day" last Friday, and tickets were being distributed at the Queens Center for Arts and Learning. I showed up at around 11 AM, and there were around 70-100 people already in line. I was a bit concerned that I might not make the cut (they don't tell you ahead of time how many tickets they have because that would just be too convenient for all the people who do end up wasting their day in line). I realized, in hindsight, that I should have brought something to sit on for my 2 hour wait so that I wouldn't have to sit on the dirty sidewalk (my grandmother made me paranoid by mentioning all the gross and horrible things that have been on the sidewalk and reminded me that they aren't power washed every day like at Disney World), but a kind and informative gentleman who brought a stool for himself was willing to part with the business section of his New York Times so that I would have something halfway decent to sit upon. It made the whole experience quite bearable. He shared with me his previous experiences in lines, telling me about something called a "cheese line" where they used to pass around a wheel of cheese for people to pull from while waiting in line for tickets. He spoke of better days when the ticket distributors would be there to regulate the line hours before distribution began in order to prevent cutting and groups jumping ahead to join friends. The line began to swell like I never thought feasible on the sidewalk of a busy street (3 rows deep!) Despite our concern that we wouldn't get vouchers (2 per person in line). We both made it!! I bid my line neighbor a fond farewell with a feeling of absolute satisfaction and success in my heart. I came, I saw, and I most definitely conquered.

Friday night couldn't come any sooner. My godmother Shawn joined me for the show, and we claimed our tickets at the box office 45 minutes before show start. We weren't let in the theatre until about 15/10 minutes before 8:00, and I was so excited. I wish I could have taken pictures of the set, but they were diligent about forcing anyone who risked a snapshot to promptly delete the forbidden photo. The set looked like an actual wood. It was nearly theatre in the round with stadium style seating. The stage was rounded and there was pretty much no back stage save the density of the wood design deeper in the set. There were spiraling stair cases going up and up, ladders, wooden bridges, and platforms. It looked almost like the village of Robin Hood and his merry men. There was a large oval shaped nest-like hollow in a patch of branches and twigs in the upstage center and highest most point of the towering set. It was Rapunzel's tower, so clever. There was greenery to give the set the feel of being trees, and there were so many different levels and layers to the set it was astonishing. It fit perfectly with the back drop of Central Park. Once could almost imagine that the Belvedere Castle was where Cinderella's Prince lived.

I was so pleased with this theatrical experience. The performances were great, the adaptation was unique and creative (they had the Narrator played by a little boy!), and I will rave about the set till the cows come home. The cast list included several high level names:

Baker's Wife- Amy Adam (ENCHANTED)
Baker- Denis O'Hare (TRUE BLOOD)
The Witch- Donna Murphy (TANGLED, SPIDERMAN 2)
Jack- Gideon Glick (SPRING AWAKENING Original B'way Cast)
Rapunzel- Tess Soltau (THE ADDAMS FAMILY on B'way)
Little Red Ridinghood- Sarah Stiles (AVENU Q, ON A CLEAR DAY YOU CAN SEE FOREVER)
Cinderella- Jessie Mueller (ON A CLEAR DAY YOU CAN SEE FOREVER)
Mysterious Man- Chip Zien (INTO THE WOODS Original B'way Cast as The Baker, HOWARD THE DUCK)
Cinderella's Stepmother- Ellen Harvey (HOW TO SUCCEED IN BUSINESS...)
Rapunzel's Prince- Cooper Grodin (SALT, MUSIC AND LYRICS)
Jack's Mother- Kristine Zbornik
Cinderella's Prince/Wolf- Ivan Hernandez (GOSSIP GIRL)
The Giant(voice) - Glenn Close (not pictured but you know who she is)
Pictured in 3rd photo below: Narrator - Jack Broderick (BILLY ELLIOT)

The Baker and The Baker's Wife/ The Witch

Narrator(center), Cinderella, Baker Jack, Baker's Wife

Fairy tales came to life before my eyes in a musical extravaganza that blew my mind and left me wanting more of everything. The Public Theatre took a modern spin on the story with contemporary costumes including a brightly colored rollerblading or cycling costume for Little Red including an extremely red jacket and helmet. The Wolf looked like a homeless Lothario with snug pants and long, flowing, dirty hair- but still sexy. He was well played by Hernandez. I was even persuaded to go off with him! Little Red had the cheekiest laugh, and Stiles made a believable bratty kid. It was weird seeing Denis O'Hare as an endearing Baker doing all he could to undo the curse so he and his wife could have a child, especially after watching him kill an entire wedding party on TRUE BLOOD mere nights before. But, he pulled it off with such authenticity, that I wanted to give him a hug by the end of the performance because he made such a sweet father and husband. I forgot he could sing! But then of course, he was the adorable man-child Prince Dauntless in ONCE UPON A MATTRESS with Tracy Ullman only 8 years ago! How could I forget?

In this production, the Narrator was a child who was sent to his room by his angry father at the beginning of the show. He apparently runs away from home with a lunch box, a sleeping bag, and a backpack full of toys and things he uses while telling the story. He dumps out barbie dolls, flowers, and other items that he plays with or gesticulates with while weaving in and out of the different characters' lives (unseen, of course, SPOILER ALERT until his fateful end when they give him to the giant SPOILER OVER) throughout the course of the show. At first, I was like, "What the heezy? This is so not what I expected." But from the moment The Narrator said, "Once upon a time," I instantly got over any expectations I had and allowed myself to enjoy this totally new experience.

Donna Murphy killed as the witch! That woman has an incredible voice. I have to admit, I had my reservations going into the performance about anyone being even half way close to the level Bernadette Peters brought it to in the original show. Donna Murphy proved that Bernie isn't the only one who can bring shivers (the good kind) down the spine while belting, "It's the last midnight!" Plus you can imagine my glee at hearing the voice of Mother Goethel from TANGLED yell, "Rapunzel, Rapunzel, let down your hair." I wish I could talk to her, if only to talk with her about the irony of her playing the witch in two different formats.  SPOILER ALERT Seeing her disappear into the earth after she re-curses herself was so unreal. There were hands pulling her into the ground, and she gladly allowed them to escort her back down to whatever hellish doom below. SPOILER OVER


Amy Adams made a wonderful Baker's Wife! I was surprised by how good she was at singing. She played that roll with such heart that I SPOILER ALERT dreading the moment when her character would bite the bullet. SPOILER OVER "Moment's In the Woods" between her and Cinderella's Prince was so precious. I would love to see Amy Adams perform more on stage. She is definitely one of those actresses who crosses over well.

Cinderella reminded me so much of the original B'way actress that I found myself googling her to see if it was the same woman - which would be impossible because 1987 was a long time ago (I should know, I was born then) and that actress, however beautifully she may have aged, could not be preserved enough for that role. Jessie Mueller did a great job with "On the steps of the Palace" (One of my favs!) She had so much conviction, I love this version of Cindy so much!

Cindy and Rapunzel's Princes were so funny. I loved them with their big bows and quivers of arrows. "Dwarfs are very upsetting." I laughed every time they came on stage! "Agony" is easily my second favorite song. The understudy (Eric Williams) played Rapunzel's Prince during my show. I loved his chemistry with Hernandez.

Rapunzel is just CRAZY! That's all I can say.

Gideon Glick is so precious! I met him after the show. I love love loved him as Jack. My favorite song in the entire show is "Giants in the Sky," and I was pleased with his rendition. His voice, demeanor, costume, character was just right. He played Jack's stupidity, innocence, and sweetness so well, I almost teared up during "I Guess This is Goodbye" when he sings farewell to his cow, Milky White. I loved the way they did Milky White. They gave her fluidity and life by having the ensemble members trade off on portraying an earthy-looking puppet of the cow. I met him after the show, he was about to head home on his motorized scooter (the kind that looks like a Razor). He seemed very soft spoken and humble. He didn't even think the people waiting at the stage door wanted his autograph. I saw SPRING AWAKENING when he was in it, but his understudy was filling in. Still, it's his voice I hear when I listen to the soundtrack. After that meek voiced character, I was surprised to hear the power in his voice as Jack.

The way they created the beanstalk was very clever as well. The ensemble gathered up a winding staircase in the middle of the set from top to bottom and opened large green umbrellas, giving the illusion of a winding, growing beanstalk. The ensemble was onstage for the majority of the show either as observers of the action, participating in scenes, or becoming a part of inanimate objects like creating the bedroom scene where the Wolf posed as the Grannie (performers holding up bed sheets at an angle, being the Wolf's Granny arms, being the support of a night stand, helping Little Red and Granny escape the belly of the Wolf). The woods were full of life and action. Despite a few technical snafus - Amy Adam's mic wasn't working in the beginning/the Narrator couldn't keep his jacket sleeve on his shoulder so every time he adjusted it or his backpack his mic would make a noise- it was easily one of the greatest performances I've seen in a while.

The most surprising part had to be the Giant. The ensemble worked these huge individual puppet pieces on the different levels stage right in the taller towering section of the set. The Giant seemed to appear in the trees with her pointy librarian glasses and her shining eyes glaring at the humans. Her hands were each operated by a different ensemble member on different platforms. It was so organic and fluid. Even her eyebrows- made of two green umbrellas. It reminded me of Ursula from Voyage of the Little Mermaid at Walt Disney World. It fit so well, and the entire audience gasped in surprise from her appearance, as if she was real. And of course, Glenn Close's voice offered authority and inspired terror. Her voice kind of reminded me of the female version of The Great and Terrible Oz from that movie about a country girl who gets sucked into a tornado and ends up in the land of little people and magic (haha just kidding, I know what it's called, of course!)

Chip Zien, I recognized his voice before I saw and realized who he was. The Mysterious Man!! Going from the Baker to the Mysterious Man 24 years later! It was weird because when I heard him singing "No More" with Denis O'Hare, it felt like hearing two Bakers sing. SPOILER ALERT  He did such a great job, though, transitioning from the son to the father. SPOILER OVER I was lucky to have the chance to talk with him after the show, which was unbelievable! He said it was surreal for him to go from one role to the other. He's really nice and friendly. I have to say that I always skip, "No More" when it comes on my iPod because I don't find Tom Alderedge as the Mysterious Man to sound aesthetically pleasing when he sings, but I loved Chip's voice as this character. I'm so glad I got to meet him!

Chip Zien (Baker), Joanna Gleason (Baker's Wife), Bernadette Peters (Witch) Original B'way Cast

Unfortunately, Denis O'Hare, Amy Adams and Donna Murphy slipped out, leaving a cluster of awaiting fans disappointed. I understand, that they were probably exhausted after such a stellar performance in the heat of the night, so I was willing to cut them some slack. I was already lucky enough to obtain the tickets, I didn't want to push my luck!

SPOILER ALERT
The style of the story changes again at the end. From the end of Act I till just before the end of Act II, the narrator is seen sleeping in his sleeping bag underneath a ladder stage left. All the while, the narrator is still interacting with the characters until his demise. (So clearly, there was a double, but I allowed suspension of disbelief to take over). At the end, when the Baker's Wife is singing "No one is Alone," we see the Baker as a dad searching for his son. The Narrator wakes, they make up and embrace. During the Finale, the son tells the story of his dream to his dad using his toys (Is that the Baker and is son years later, or not?) As the song nears the end, the cast begins to disappear into the woods as the father and son climb the stairs towards the top of the trees. They head towards the back of the woods, and, at the very end, the boy runs to the top balcony in the center of the set, "I Wish!"
SPOILER OVER

I was completely happy with my experience, so much so that I am putting my name in the virtual lottery every day there is a performance for the chance to get tickets again. I was laughing, crying, and hanging on the edge of my seat the whole show in spite of the fact that I knew everything that was to come, so you know it was good. I wish more of my friends could see it. The show closes August 25th, so go if you can!
This was my first time seeing any Sondheim production in New York, and I hope one day I can meet him because a conversation with the mind that also created SWEENEY TODD, COMPANY, and the lyrics for WEST SIDE STORY is bound to be interesting. He is brilliant and sharp when it comes to dark comedies. I can't wait for more!

Seeing as how this post is extremely long, I will post reviews on the Farewell My Queen and The Dark Knight Rises, which I saw in the last 5 days as well, in a later post. Good night all!

Conquering NYC, One Week At A Time

So I've finally made the big move to The Big Apple, and I'm loving it! I was so nervous initially about the transition, but it wasn't so bad. My moving in/unpacking process is slow going due to my hectic schedule so far. I've only been here over a week, and the only things that have a officially found a home in my room are my clothes. That's the most important part, though, right?
I managed to see SAVAGES last week, and it was intense. No the kind of film you want to go see with your grandmother (which almost happened in my case). There is a lot of violence and 2 pretty graphic sex scenes in the beginning of the film. The characters were interesting, and the story almost had a Greek tragedy to it - like the predicament could have been avoided if certain stupid choices weren't made. It's so crazy how many people die over a stinking plant! At least back when we were less civilized we would only kill for survival purposes (as far as we know) - Like " Hey! That's my mastodon meat! I kill you!" I enjoyed the film, it moved at a fast pace, but the ending left me feeling like "What was the point, then?" Blake Lively looked fantastic, and the whole movie I wanted Aaron Johnson to shave off whatever was growing on his face! I give it a B+.  What do you think?

 My BFF Lauren introduced me her world at UCB (the Upright Citizens Brigade Theatre) where we saw a comedy show featuring Bob Odenkirk with a guest appearance by David Cross (Principal Gold in SHE'S THE MAN). The show was pretty funny!

So last weekend my good friend Antonia arrived from Orlando to visit me before she has to return to Germany. We wandered the streets of Manhattan together and stumbled upon some amazing places. She arrived Friday afternoon, and we hopped from theatre to theatre trying to find good tickets to see a Broadway show.



After an evening of no luck, we went to the M&M store to play the tourists.








While searching for a place to eat, we found a French restaurant that was celebrating Bastille Day! It was full of french people, which we found to be ironic - French people coming to the US and eating at a French restaurant of all places! But of course you have to on Bastille Day :) We had dinner at Arriba Arriba where they have fantastic large margaritas of any flavor!! On our way to meet my friend Lauren, we stopped at a cafe that served crepes and got nutella crepes. YUM!!!

On Saturday, Antonia, Lauren, and I saw MEMPHIS on Broadway. It was excellent! Most of the original cast from 2009, when I first saw it, were still in the show. The only difference (and improvement, in my opinion) was Adam Pascal (RENT, AIDA, SLC PUNK) played Huey Calhoun. He was amazing, and the show was even better than the first time. The show closes next month, so that was the obvious choice to go see. We waited at the stage door after the show, but, unfortunately, Adam Pascal and the other leads slipped out the front, leaving all the fans high and dry. I was pretty disappointed, and I think I like him a little less because of that. We did, however, get to meet the actor who played Gator in the show!

Pinkberry and the Pony Bar finished off our night in the city!

Our last full day together was pretty wild. Antonia and I headed towards the American Museum of Natural History and came upon a farmer's market outside the museum. It was fun to explore, and apparently they have it every Sunday! We saw some pretty amazing pieces and learned a lot about evolution, the importance of babies becoming attached to their parents at infancy, and discovered that it's too late for me to have perfect pitch lol (if you haven't developed perfect pitch by the age 12, you'll never have it).

We had lunch at Shake Shack- so good! Must get a burger from there if you come to NYC!  And no trip to NYC would be complete without a visit to Central Park! We visited the Shakespeare Garden, the  Delacorte Theatre, the Great Lawn, and the Loeb Boathouse.

Unfortunately, we got caught in the rain and got soaked to the bone.  I don't think I have ever been so drenched before in all my life! There wasn't any place to hide! There's nothing so gross as being wet through and through in the middle city without a bus or subway station in sight. We were a sight for sore eyes , lemme tell ya! We were a pretty big spectacle on the bus!

We decided to finish off our night in the Village (drying off of course). We started out at Jekyll and Hyde where monsters come to life while you drink and dine and a creepy butler hobbles about the place groaning at you. The drinks were pretty pricey, so I doubt if I'll return, but it was a fun one off. 

We couldn't have Antonia leave without trying some New York style pizza! We went to Bleeker Street Pizza which apparently is the best pizza in NYC. It's really small and there are pictures all over the place of celebs who came in for a slice - including Hugh Jackman! I still think Gino's in Long Island is better!

We ended the night at a BohoKaraoke where Lauren joined us. You have to buy a drink per each song you sing, the drinks are also pricey, but the atmosphere was fun! There was this one woman who sang every song (and there were 4 of them) with the same pitch, speed, and tone regardless of how the song was really supposed to sound! It was so bad but hilarious!! Also there was this group of crazy girls who sang like they were monster demons -that was a little too weird. 

Antonia returned to Orlando yesterday, which made for a heartbreaking goodbye (witnessed by strangers on the 1 train). I can't wait for us to be reunited again, and I look forward to more adventures in the city. Ciao for now!